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・ The Day of the Pelican
・ The Day of the Robot
・ The Day of the Roses
・ The Day of the Sardine
・ The Day of the Scorpion
・ The Day of the Triffids
・ The Day of the Triffids (1981 TV series)
・ The Day of the Triffids (2009 TV miniseries)
・ The Day of the Triffids (disambiguation)
・ The Day of the Triffids (film)
・ The Day of the Troll
・ The Day of the Wolves
・ The Day of Wrath
・ The Day Passed
・ The Day Reagan Was Shot
The Day Room (play)
・ The Day Shall Dawn
・ The Day That Never Comes
・ The Day That She Left Tulsa (In a Chevy)
・ The Day That Shook the World
・ The Day the Balloon Went Up
・ The Day the Bookies Wept
・ The Day the Clown Cried
・ The Day the Country Died
・ The Day the Dancers Came
・ The Day the Earth Caught Fire
・ The Day The Earth Nearly Died
・ The Day the Earth Shook – The Absolute Power
・ The Day the Earth Smiled
・ The Day the Earth Stood Cool


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The Day Room (play) : ウィキペディア英語版
The Day Room (play)

''The Day Room'' is a play written by Don DeLillo and first produced at the American Repertory Theater in Cambridge, Massachusetts in April, 1986. It is DeLillo's first play. Since its premiere, the play has been produced in New York in 1987, and in Chicago in 1989 and 1993, among others. The first international production was in Auckland, New Zealand in 1995. A portion of the play was published in ''Harper's'' in September, 1986 as "A Visit from Dr. Bazelon".
==Plot==

The play concerns characters in a psychiatric hospital in which the distinctions between patients and staff gradually blur. The play is written in an absurdist style reminiscent of Beckett and Ionesco, and eschews linear plot in favor of a non-traditional exploration of such themes as empathy, personal identity, fear of death, and the seeming impossibility of meaningful communication. In line with the transformation of identities, the eponymous room of the first act becomes a vaguely defined motel room in the second. As a single memorable example of the absurdist tone of the piece, one of the asylum patients of the first act appears in the second act as Figure in Straitjacket, performing as a television set for the bulk of the remaining action.
DeLillo stated in a ''New York Times'' interview about the play that

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